Tag Archives: Travel

Peter Muller Live in Granada Recap

Whatup LIFESTYLE Fam!

A few weeks ago I went on my first LIFESTYLE-organized tour of looping/DJ sets. I started out with three performances in two days.Two sessions were to be at bars (Republik Club in Madrid and La Iguana in Granada) and one at a hostel also in Granada (Casa Bombo) overlooking the historic Alhambra. However, I ended up finding an opportunity to spit lyrics from Shake This Maze at a weekly jam session at the Boogaclub in Granada at the end of the weekend. Below is a photo/written recap of the First LIFESTYLE Tour.

We’ll start with the tour poster, designed by none other than LIFESTYLE co-facilitator Vicken Donikian.

Peter Muller Live on Tour Madrid / Granada

V conceptualized and completed the piece during a weekly marathon Skype session as we discussed tour goals and possibilities. Part of what makes a LIFESTYLE tour is the important idea of spreading the Collective in order to learn from and collaborate with those who practice Reflection and Response in different contexts. Below are the fliers I brought along for the ride to present to creators (Also by Vicken):

PM Flyers (6) the LIFESTYLE RR Flyers (6)

First up for the tour was a session in the cavernous basement at Republik Club in Madrid. I made the connect at Republik because the same family that owns the bar also has a locutorio three buildings away. Before I got internet in my apartment in Madrid I would visit the locutorio to both work on projects and try spit game at the super cute girl that worked the register.

After packing up for my 8 AM bus ticket the next day, I headed out to Republik for the first session. I listen to the end of a blues jam in the cave and with the homies Chema and Richard, then set up my laptop and APC 40 at 12:30, ready to rock.

Republik Dj Peter 3 Copas 10 Euro Republik

A lot of my Madrid people came out- word to those who made the cave rock for a solid three hours. After grabbing some late night pizza I went home to sleep for a supposed 2 hours.

5 hours later I had slept through my alarm and missed my bus while managing to leave both my camera and an audio cable that goes from my external soundcard (Traktor Audio 2) to RCA inputs. I booked a later bus ticket and hailed a cab going straight to an audio store to pick up a replacement cable. I had to hop out of the cab and leave the driver with everything- laptop, APC, clothes, while I ducked in to pick up the piece. After purchasing a new 8 meter cable, I headed outside to a street with no cabs. For 5 minutes the world stopped and had forgotten about me. I started considering how many English classes I would have to teach to replace my stuff.

Then, suddenly I heard the cab driver whistling to me on foot. He started to run to the cab parked a few meters away, I followed and we jumped in. As we neared the station told me that he would never rob the tools someone uses to work with- a good omen after a stressful beginning to the tour.

The show at Casa Bombo was supposed to start at 6. However, as I knocked on the door at 7:30, one of the managers greeted me warmly and showed me the room I was to stay in for the night in exchange for the session, where I showered up and prepared the show. The patio of the hostel had this view of the Alhambra:

Casa Bombo Day Patio

I ate some bomb homemade Italian food (most of the managers were Italian), then hit a session in their sala (you can see Reflection and Response Vol. 1: the ‘zine next to the fliers):

Casa bombo Session

After looping for about an hour and a half I headed out to a bar called La Iguana for the third session of the tour. Rubén, the bar’s owner, met me outside and I quickly set up and started in with Funk Around, which has become my opening track for sessions. Rubén kept the tapas coming, and again I set up the #LRR Fliers near the setup.

Iguana APC Iguana Set Up

Tapas Iguana

Rubén is one of the most legit bar owners I’ve met and I was stoked when we made plans to kick it the next day. After sleeping in at Casa Bombo, I headed out to check into my second hostel and met up with Rubén, his awesome girlfriend Pilar, and some other homies to grab some tapas. They let me know that there was a jam session with an opportunity to perform that night at the Boogaclub, a bigger venue in the city. We agreed to meet up later on.

As I walked back to the hostel from tapas with the crew I snapped a few pictures with my phone.

Skateboarding is not a Crime Cafe Bar Granada

I feel the idea that these images could come from wherever. The Reflection and Response detailed in the scenes bring up this anti-territorial, global nature of R&R. Skaters want to declare their innocence anywhere, and blues is advertised in places far from Route 66.

The biggest surprise of the tour almost never happened. I met Ruben and Pilar at Booga around 11 P.M. After listening to a jazz band kill it for an hour, the homies had had enough and had to go home to get some sleep. I was ready to leave too until I saw a guitar player standing outside the club who assured me that we would be able to perform. I headed back down to the stage this time unaccompanied. I spotted another guitar player tuning up and asked him what type of stuff he was going to play. He introduced himself as Mario, and said he does funky Red Hot Chili Peppers-esque grooves. I realized with the abundance of guitar players, I would have to bring something unique to the stage, so I let him know I was interested in rapping a few verses over the instrumental groove he was about to set up. He sounded excited and when we hit the stage, it felt right to spit “Wake Up,” as part of a once-in a lifetime remix.

This moment encapsulated what the LIFESTYLE on tour is all about- Promoting Collaboration and Community Through Practicing Reflection and Response. Mario and I had just met, but when we were done with our set we realized the common thread of R&R breeds Collective- wherever that collective happens to be. Be on the lookout for Mario and Ruben’s Features coming through soon!

-Reflection and Response.

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Feature: Jessica Quick

Aright y’all it’s again that time! This week the Collective welcomes Jessica Quick to the Feature series dialogue! Jessica is coming from a place and space unable to be captured by one setting or time. She brings a perspective shaped through elbow-rubbing experiences traversing time zones across the globe, expressed through her creative writing. Anchored in mood and narrating through observation, Jessica takes the time to dive into her interpretation of Reflection and Response, providing a pint of insight into her path thus far. Take a look at her interview and her poem Daffodils below. Enjoy the ride; Bon Voyage.

Jessica Quick

A city’s mood, its mannerisms, its charisma (or lack thereof) reflect in its inhabitants and its architecture, and I like those things to feed into my reconstruction of a city through words.

-Jessica Quick

Leading off with some basics, where are you from? And where are you at?

JQ: I’m from Simi Valley, California, a synclinal suburb squatting outside of Los Angeles. Its geography and demography made it perfect for routine brush fires and a large population of conservative right-ists when I was growing up. It’s an awkward little city, and I’ve come to appreciate its quirks. In doses.

 In the past few years, I’ve lived in Harlem, Seoul, San Francisco, Madrid, and I’ve just relocated to Brooklyn a week ago. I’m looking forward to sticking around and getting back in touch with some old literary haunts, as well as my writing projects. I’m juggling a few ideas, and I think New York is the perfect place to explore them.

What does Reflection and Response mean to you?

JQ: Reflection! A necessary trait of response that’s learned with time, I suppose. I’ve traveled a bit, and it always takes me a long time to arrive at a place where I feel I can appropriately reflect on a city. What I like to do is feel out (and up?) places through my writing. I love infusing their bodies into my poetry. A city’s mood, its mannerisms, its charisma (or lack thereof) reflect in its inhabitants and its architecture, and I like those things to feed into my reconstruction of a city through words. Like getting to know someone new, attaining depth of a place just takes a little time. I wrote about New York when I was in Seoul, about Seoul often when I was in Madrid. And I still haven’t touched my hometown.

How does your writing fit in with that definition?

JQ: Although I like using my travel experience in my writing, I try to avoid relying too heavily on personal perspective. For example, I like creating stories that are not necessarily my own, but in a setting with which I’m familiar. Or I’ll use a mood that I may have felt in a certain city, but explore new lyrical narratives in a poem. I strive towards creation and embellishment over accuracy in retelling my response to a place. Maybe that makes me a liar. But I like telling stories. I think it’s boring and a bit vain if they’re all mine.

What else have you been working on recently? What are you looking to work on next?

JQ: I’m working on my first poetry collection, The Liminal Parade. It’s about spaces between here and there. I like writing about travel limbos, like subways, elevators, long plane rides. I’m also paying attention to certain psychological in-betweenness that mirror in those subways, elevators, and long plane rides – traveling for long periods of time without destination, waiting for someone to arrive, and indecisiveness are things I’m teasing out in my poetry. I like writing about hybrid existences because it hits close to home, both with my travel and with my mixed ethnicity. I’ve dwelled in the in-between and it’s an awkward, beautiful place.

I have a few other projects in mind for the future and the now. I’ve been talking to a few artists about comic book ideas and collaborations on creating some illustrated poetry, which I’m very excited about. I’m a huge comic fan, and the prospect of writing one makes my nerd heart skip a beat.

Who or what inspires you?

JQ: On the topic of comics, Daniel Clowes and Jason Lutes are my favorites for their dark humor and stark aesthetics. The Hernandez Bros. and Chris Ware are also stunning, although Ware makes me want the world to be a better person.

For poets, my current obsession is Frank O’Hara because I spent so much time writing about him for my MA thesis, which compared O’Hara and Lorca’s poetry in New York. I appreciate his unabashed exhilaration with life in his poetry, and how much his personality shows. And if O’Hara were still alive, I’m pretty sure he would be the coolest person in the world.

Of course, big cities inspire me as well as the people I meet. I am indebted to the city dwellers – from the rush hour flautist in Tokyo to my life-long companions. They accompany my memories of the cities I have grazed in my wanderings.

Is there anything else you would like the Collective to know?

JQ: We are poised in an interesting moment in history. From the state of the world economy, to the persistent race for technological advancements and subsequent dependency, we are witnessing rapid change in the world around us. We are responsible for how we choose to respond to these changes. To artists, I encourage you to create something beautiful in reflection of the environment around you.

 Shout out to…

JQ: Big love to all the creators and rabble-rousers. You make the world go round. And a big shout to a very talented jazz musician, my inspiration, and my husband-to-be, Daniel Stark.

Daffodils by Jessica Quick:

Daffodils

The first poem I ever wrote

was written by Wordsworth,

a posture of lines followed by

a school teacher’s request:

“Please see me after class.”

 

I never showed and

swallowed my first D –

literary theft on record

as enraged or defensive.

 

Years later, I found myself

writing poem after poem about daffodils.

Bought them any chance I could get.

I filled large suitcases with piles

of laughing heads and moved

to distant corners of the world.

 

Every town I visited,

I left solitary specimens

behind nondescript buildings

and cheap hotel rooms.

I remember one figure

splayed out like a brown

carcass of envy squatting

on the menu of a fish restaurant

in old Beijing.

 

After the last, I moved to an island at the edge of a map,

where (they said) daffodils could never grow.

I spent my days planting gardens near tough rocks.

At night, I counted holes in obscure constellations

where great, big, burning stars used to be.

Keep up with more of Jessica’s work at her website: www.jessicaquick.wordpress.com

Also check out Penumbra Magazine, which Jessica co-founded in 2012. She is currently the Poetry Editor for the magazine: www.penumbramagazine.wordpress.com

Reflection and Response.

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Snapshots from the Collective

Porto by Sarah Ballister

porto

Reflection and Response.

The Snapshots From the Collective series works to create a space for Reflection and Response through photography. ANYone who wants to contribute ANY photos to this project can email us submissions at the.lifestyle.rr@gmail.com. One photo will be posted each week, and photos will only be used for the purposes of this series. Thank you and we look forward to building and expanding the Collective!!!

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Snapshots from the Collective

Surf Sensei San Sebastian (Donostia/San Sebastián País Vasco, Spain) by John MullerSurf Sensei San Sebastian

Reflection and Response.

The Snapshots From the Collective series works to create a space for Reflection and Response through photography. ANYone who wants to contribute ANY photos to this project can email us submissions at the.lifestyle.rr@gmail.com. One photo will be posted each week, and photos will only be used for the purposes of this series. Thank you and we look forward to building and expanding the Collective!!!

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