Perry Young has been a dope actor and performer since we met back in Berkeley during our high school years, and he continues to tear up the stage in NYC and around the country, having recently performed as part of the musical In The Heights. Perry talks with us about the consciousness of reflection that leads to awareness in the present, while he views response as one’s intuition to get where they want to be. The Coming World, another one of his recent works, locates its characters in deep Reflective dialogue and Responsive action as they traverse difficult circumstances. Moving forward, Perry is also looking to work on an original web series dealing with his reality of moving to NYC as an artist. Check out the interview for more insight and info!
Leading off with some basics, where are you from? And where are you at?
PY: Born and raised in Berkeley, CA. I’ve had the pleasure of living and performing in several cities and countries, as well as touring all over the US with the musical In The Heights. I’m currently growing my mustache in Brooklyn, NY.
What does Reflection and Response mean to you?
PY: Reflection to me has an inherent feeling of the past, a look back on where I was and where I am today. There’s an almost meditative quality to reflection, a consciousness that you are aware of where you’re at in the world and how you got there. Response is your own gut feeling to where you are, where you want to be, and the steps you’re taking to get there. They’re both equally important – reflection being the potential energy and response the kinetic.
How does your work in The Coming World fit in with that definition?
PY: I recently worked on a play entitled “The Coming World.” The play largely dealt with the in-between – the words on the tip of your tongue that you just can’t seem to utter, and the actions that we lay awake at night thinking about but never take. It followed three characters and how they responded to the weight of their circumstances when they were pushed to the edge of reason. What are they willing to fight for, what do they regret about what they’ve done and how do they cope with loss? In that sense, the show very much can be broken down into Reflection and Response. There was a very reflective quality to the play as the characters dealt with certain tragedies that arose and their own responses/feelings of responsibility for what has happened in their lives.
What else have you been working on recently? What are you looking to work on next?