Tag Archives: Collage

Artist Feature: Andréa Harris

Andréa Harris is a visual artist based in Seattle, Washington, who has also spent time in Washington State, Boston, Florida, and France – each of which has naturally impacted her artistic practice in different ways. Andrea describes Reflection and Response as an interaction between the artist and their work — with each entity active in the dialogue. Her work is a result of this ongoing conversation and she uses various mediums such as painting, photography, collage, digital video, and sculpture. Along with her words, Andréa presents specific pieces from her incredible collage and sculpture projects EXPERIENCING THE CENTURY and OUR EYES THAT ARE EVER MORE MY OWN. Peep the dialogue below and stay tuned for more exciting projects from her workshop!

Andréa Harris

Making work turns into a conversation between reflection and response — sometimes the artist is the one responding in the work, but other times the work talks back and makes its own demands to be heard.

– Andréa Harris

Leading off with some basics, where are you from? And where are you at?

AH: I am from the Pacific Northwest, and grew up in several towns near Tacoma, WA.

There is something to be said of place and creative work. Everywhere I’ve lived has had a specific head-space to it. It’s been easy to make work in some places, but nearly impossible in others. Having lived in Seattle, Boston, Sarasota (Florida), and three summers in South-West France, I have experienced a variety. However, I have yet to find the place I work best with.

Right now I’m in Seattle, WA. It’s the city I consider home. I have a feeling there are some explorations ahead of me though.

Andréa Harris - Experiencing Century 12

Andréa Harris – Experiencing The Century 12

What does Reflection and Response mean to you?

AH: As an artist and general introvert, the majority of my time is spent in reflection. Reflection isn’t a place of comfort. It is a place of unstable ground and a catalyst for change. Reflection is the foundation of Response, but the creation of work contains both. Making work turns into a conversation between reflection and response — sometimes the artist is the one responding in the work, but other times the work talks back and makes its own demands to be heard.

Andréa Harris - Experiencing Century 10

Andréa Harris – Experiencing The Century 10

How does your work fit in with that definition?

AH: The overarching concept I find myself fixated on is the idea that reality is malleable, fluid, and constantly created. I explore the flexibility of reality through: the relational boundaries between the body, consciousness, psychological states, ideologies, and perceptions of the self, the other, and the transcendental. My work operates in a space of questioning experiences and concepts. It is the product of reflection and response, the push and pull between the two. I enjoy working across disciplines, letting the concepts I’m working through dictate or have influence on whether I use painting, photography, collage, digital video, sculpture, etc.

Andréa Harris - Experiencing Century 01

Andréa Harris – Experiencing The Century 01

What else have you been working on recently? What are you looking to work on next?

 

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Feature: Frances Bradley

We’re proud to welcome Brooklyn-based artist Frances Bradley to the Collective. Honoring the charge of art as she shines light on a dark topic and speaks about expression so honest it has life of its own—Frances eloquently tells us about her work, including her current project entitled Womanhood or Woman’s-Hurt?. Another humbling feature, undeniably powerful and sincerely purposed.

Frances Bradley

Leading off with some basics, where are you from? And where are you at?

 FB: I am from Flint, Michigan and I am currently in Brooklyn, NY.

 What does Reflection and Response mean to you?

 FB: To me reflection means recalling past memories and events and response is simply addressing and reacting to those events.

How does your project Womanhood or Woman’s-Hurt? fit in with that definition?

 FB: The artwork of Womanhood or Woman’s-Hurt? are perfect examples of reflection and response.

Womanhood or Woman’s-Hurt? is a 12-piece autobiographical art series that illustrates my experience as a victim and survivor of sexual violence. The series was conceptualized during therapy and each piece is a portrayal of what I was feeling while I was being raped and the experiences that followed. Every piece requires reflection.

Only four out of 12 pieces have been completed, titled Broken, Zip, Unzip and Transformation. The life-size artwork is painted with traditional mediums such as oil on stretched canvas and features collaged poetry taken directly from my therapy journal.

"Broken" - Acrylic, Oil, and Collage on Stretched Canvas, 5' x 5'

“Broken” – Acrylic, Oil, and Collage on Stretched Canvas, 5′ x 5′

Broken is an illustration of when I was sexually violated. It’s titled Broken because I was a virgin when it happened – thus being physically, mentally and emotionally Broken.

"Zip" - Oil on Stretched Canvas, 5' x 6'

“Zip” – Oil on Stretched Canvas, 5′ x 6′

Zip portrays my feelings of isolation and fear of telling someone about being violated due to shame and the potential of being further victimized.

"Unzip" - Oil on Stretched Canvas, 3' x 6'

“Unzip” – Oil on Stretched Canvas, 3′ x 6′

Unzip depicts what happened when I decided to speak up and shows the collective response from my family members.

"Transformation" - Oil on Stretched Canvas, 5' x 6'

“Transformation” – Oil on Stretched Canvas, 5′ x 6′

The last piece of the series, Transformation, portrays the pieces of me that were shed as a direct result of my healing and the new person that has emerged from this experience.

This project is so important because it is my personal response to a traumatic experience and creating it is a part of my healing process. And now, I am using it as a tool to empower other victims who have suffered from similar experiences and who also need to find a way to heal. I truly believe artistic expression is a means to heal and I am working to promote the Art of Healing with Womanhood or Woman’s-Hurt?.

What else have you been working on recently? What are you looking to work on next?

FB: I have experienced so many emotions – including sympathy for Trayvon Martin’s family, sadness, hurt, pain and surprise – following his murder and George Zimmerman’s acquittal. My natural reaction as an artist is to express my emotions through art.

So, I’m currently working on a piece that conveys my feelings about Trayvon’s murder. This piece will actually be a part of a developing mixed media series that addresses social injustices that have been “justified” by America’s “justice system.”

"Oscar Grant" - Mixed Media on Stretched Canvas, 3' x 6'

“Oscar Grant” – Mixed Media on Stretched Canvas, 3′ x 6′

I’ve already created a piece titled, “Oscar Grant” that addresses the murder of Oscar Grant on New Year’s Day in 2009. The first time I watched that murder on YouTube I was moved to tears and, much like Trayvon’s murder, an outpouring of emotion turned into a palate for expression.

"Bang Bang" - Mixed Media on Stretched Canvas, 18" x 24"

“Bang Bang” – Mixed Media on Stretched Canvas, 18″ x 24″

The second piece is titled, “Bang-Bang” and was created during last year’s national protest that took place all in the name of Trayvon Martin. It’s a mixed media piece that not only touches on the injustice of Martin’s death, but also illustrates the fatally repetitious acts of racism and devaluation of the lives of melanated people in America.

"I Am A Man" - Mixed Media on Stretched Canvas, 24" x 48"

“I Am A Man” – Mixed Media on Stretched Canvas, 24″ x 48″

There is also a commissioned work titled, “I Am A Man” that speaks to the value of the lives of melanated men.

As far as what’s next for me, I plan to tap into the film world and release a few short documentaries that I’ve been working on. So please stay tuned.

Who or what inspires you?

FB: I’m inspired by life, the struggle, politics, history, spirituality, culture and the world. I find inspiration from people of all walks of life. I think living in Brooklyn, New York and being raised in Flint, Michigan has helped me to understand what struggle really is and I’ve witnessed first-hand, poverty on many levels. I’m so inspired by life’s lessons, and it drives me to use my gifts to empower, educate and instill hope and strength.

Is there anything else you would like the Collective to know?

FB: I am currently raising $25,000 to complete the Womanhood or Woman’s-Hurt? series. The purpose of this work is to create conversations about sexual violence, its impact on victims and to promote healing through the arts. This is my experience but its every victim’s story and it needs to be told through the universal language of art.

I invite the Collective to learn more about the Womanhood or Woman’s-Hurt? project by visiting www.womanhoodorwomanshurt.com, contribute to the campaign at www.gofundme.com/womanhoodorwomanshurt and Like us on Facebook at www.facebook.com/womanhoodorwomanshurt. If you’re interested in viewing my other artwork please visit www.nielahstudios.com. All of my art is available for purchase at www.etsy.com/shop/nielahstudios.

I welcome your thoughts so please feel free to contact me at booknielahstudios@gmail.com

Shout out to…?

FB: The Lifestyle for being interested in my work and providing me with the opportunity to share it with others. Thanks to all the victims and survivors of sexual violence who have shared their stories with me. This work is for YOU. Special thanks to my creative team, Tanya Jackson (videographer/editor) and LaToya English (public relations representative) for their dedication and for believing in my project enough to have sacrificed long hours to see this project come to fruition. THANK YOU. Thank you to my friends, family and supporters who continue to support my dreams and have contributed to my campaign, and to those who have helped me spread the word. I appreciate all of your positive responses and support. Thank you.

Reflection and Response.

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