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Artist Feature: Alex Ruger

Alex Ruger

You can only change where you are by truly knowing where you are, questioning your motivations and why you’re doing what you’re doing, being brutally honest with yourself. There’s no room for self-deception or ego in an artist’s life.

– Alex Ruger

Leading off with some basics, where are you from? And where are you at?

AR: I grew up in central Indiana, studying piano and guitar and a bit of viola. I played in some bands–progressive rock, funk, jazz, lots of stuff. There wasn’t really a point where I “decided” that I’d be doing music for a living–it was just the obvious choice and always has been, so I went straight to Boston’s Berklee College of Music after graduating high school. My first two years at Berklee were mostly spent studying jazz guitar and working towards being a sort of jack-of-all-trades guitarist, but after a horrendous bout with tendinitis nearly ended my career before it had even began, I changed my focus to what, in retrospect, was my passion and goal all along: composition (and more specifically, writing music for movies, TV, and video games). After a couple years adjusting to my new trajectory, I graduated Berklee and moved to Los Angeles back in September 2013. Since then, I’ve been working for a few composers–including Bear McCreary and Penka Kouneva–and as a freelance composer, as well as balancing the odd producing, arranging, or mixing gig. I’m falling in love with the cultural and artistic melting pot that is LA–and the fact that I can go surfing pretty much any day is a nice plus.

What does Reflection and Response mean to you?

AR: Refinement. Self-awareness and mindfully whittling away the unnecessary is an important and ongoing process for me–not just in my music, but throughout my life.

With regards to writing music, John Mayer said it better than I can. I’m paraphrasing, but he once said something to the effect of, “When you write, it’s like when you were a kid, throwing glitter on to a plate covered with glue. But it’s only when you shake off the glitter that doesn’t stick are you able to see the pattern it’s making.” That’s the fun part–shaking off the stuff that doesn’t stick.

When making music, that process is fun, but when you’re whittling away at yourself, it’s hard, and only recently have I begun to the see the patterns–thought processes, motivations, etc. You can only change where you are by truly knowing where you are, questioning your motivations and why you’re doing what you’re doing, being brutally honest with yourself. There’s no room for self-deception or ego in an artist’s life. And none of that introspection matters if you don’t have the courage to change and put what you’ve learned to work. It’s all about working towards a more refined version of you, and hopefully your art will reflect that.

How does your piece “Christmas 1914 in No Man’s Land” fit in with that definition?

AR: A great example of this is actually one of my non-film pieces, entitled “Christmas 1914 in No Man’s Land” (inspired by the Christmas Truce of World War I). It was a beautiful near-miracle that occurred right in the middle of what is quite possibly the nastiest war in human history–the two sides stopped fighting and enjoyed Christmas together. But it’s also a sad story–they began fighting again the next day. So the crux of the piece is an emotion that’s hard to describe–bittersweet comes closer than anything else, but it’s still not quite right. I guess that the saying, “Where words fail, music speaks” isn’t just some dumb phrase to put on refrigerator magnets!

To achieve this weird intersection of emotions, I really had to reel myself in and make sure that I wasn’t stepping on my own toes. Certain phrases needed room to speak, while others needed to be interrupted by the next one. Every note really mattered–it took a lot of “shaking off the glitter” to come to the end result. Even though I recorded it nearly a year ago, I’m still very happy with it. The number of things I want to go back and change is unusually low.

Alex Ruger - Conducting What else have you been working on recently? What are you looking to work on next? Continue reading

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