Artist Feature: Noah Garabedian

Bassist and composer Noah Garabedian is originally from Berkeley, has lived in Los Angeles, and now resides in Brooklyn. It was a long time coming, but we were able to catch up with Noah recently at Hank’s Saloon in Brooklyn, where he played with his group The Slim Tones – a flat-out incredible set featuring their signature honking-tenor rhythm and blues. A hardworking craftsman, Noah plays with multiple groups spanning an eclectic range of sound and genre, including – along with The Slim Tones – Big Butter and the Egg Men, The Amigos Band, and the Rebirth Project. In the following dialogue, Noah breaks down his approach to music and discusses his current and future projects. Keep an eye out for a couple New York engagements this weekend and The Amigos Band’s upcoming tour in Southeast Asia in March. Check it!

Noah Garabedian

Everyone experiences countless provocations of the senses everyday, and reflection is the moment one takes to acknowledge its occurrence. Response is the way one acts after that experience.

– Noah Garabedian

Leading off with some basics, where are you from? And where are you at?

NG: I’m from Berkeley, CA, and I currently live in Brooklyn, NY after 5 years in Los Angeles.

What does Reflection and Response mean to you?

NG: Reflection is the process of digesting material that has penetrated one’s exterior and provoked a reaction; whether it be within or out for all to see. Everyone experiences countless provocations of the senses everyday, and reflection is the moment one takes to acknowledge its occurrence. Response is the way one acts after that experience.

How does your work fit in with that definition?

NG: My current ensemble that I compose for is called Big Butter And The Egg Men. It is a sextet comprised of bass, drums, two tenor saxophones, alto sax, and trumpet. The compositions and sound of the group combine several influences of mine. I cannot help being influenced by experiences of my past, not only musical, and those inevitably show themselves in my writing and improvising.

As a music student, you are constantly told to understand and respect the history, the tradition, and the rules. Then you are told to throw it all out and to be creative and original. I suppose my own compositional process and my own approach to making music on the bandstand, is a response to my reflections of the past or just old habits I developed by rote.

What else have you been working on recently? What are you looking to work on next?

NG: I am currently excited to be working on two other projects. The first is The Amigos Band. We play all types of American music – country, Cajun, blues, and jazz. We just released our first full length album, Diner In The Sky, and on March 10 we will be representing the US State Department as musical ambassadors on a 5 week tour throughout Southeast Asia. The second project I am working on is called the Rebirth Project. The music I am currently writing for this project is traditional Armenian folk music, mixed with improvisation, and combined with a contemporary compositional aesthetic.

Who or what inspires you?

NG: I am constantly inspired by my peers, no matter what their profession is, they are pretty remarkable people. Obviously I have been inspired by older people throughout history who impacted generations, but it’s always humbling to witness someone so close to me in age doing something so incredible. I am also inspired by the natural world, science, and food.

Is there anything else you would like the Collective to know?

NG: I am a huge Oakland A’s fan and I enjoy long bicycle rides.

Shout out to…?

NG: I dunno… anybody who cares.

Reflection and Response.

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