Tagged with Acoustic

Feature: Rasmus Brix

Welcome Northern Europe to the LIFESTYLE Collective! Rasmus Brix is a singer-songwriter whose tunes are both melodic and catchy. Coming out of Denmark, he established himself as an integral part of a growing music scene in Madrid, Spain over the course of the last year. AFter returning home at the end of his stint in Madrid he continues to write and record good music.  Check out the below interview below and Rasmus’s tunes Lonesome Friend and Time is Not.

Leading off with some basics, where are you from? And where are you at?

RB: I am from a small town in the outskirts of Copenhagen called Brøndby. It has a lovely forest and a beach. It has its ups and downs like all other places, I guess. The ups I like. Today home is Copenhagen.

What does Reflection and Response mean to you?

RB: To me reflection is the gathering of thoughts and impressions followed by a good stirrup and a change of lighting. Response is (and is sometimes not) a relatively spontaneous reaction to something relatively permanent, prepared and thought through. That and more.

How does your music fit in with that definition?

RB: I’m not sure if it does. I guess the songs I write are responses to reflections – and sometimes they are the reflection.

What else have you been working on recently? What are you looking to work on next?

RB: I’ve been writing songs and playing them. Next project will be sorting out my situation at the university and maybe find a job.

Who or what inspires you?

RB: “THE INSPIRATION”. People, songs, books, conversations, thoughts, doubts, moods, etc. At the moment listening to Ben Howard makes me want to write and play. Sam Cooke is singing in my headphones while I’m writing this, and I like it. I met a friendly gentleman called Juan Luis on a train a few weeks ago and our conversation made me write a song. I’ve written a song to a tree. Bob Dylan showed me that it’s OK to use simple chords. Van Morrison, Nick Drake, Bon Iver, James Vincent McMorrow, Johnny Flynn, Paolo Nutini, The Bowerbirds, The Rumour Said Fire and The Black Keys are nine inspiring groups/ musicians on a list I haven’t got the patience to carry on with. I don’t know. It’s all a bit messy.

Shout out to…?

RB: Oswaldo for stopping and listening that one cold Sunday afternoon in the park when fingers were getting cold and sore, – and for inviting me to come play in the studio, of course; people at bars and streets in Madrid for clapping their hands and filling me with that good stuff that feels funny and calms the nerves; troubadours and other music men and women from hither and thither.

-

Be sure to check out Rasmus’s Soundcloud for updates and new tunes.

-Reflection and Response

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Radio Leon #2

Episode Two of Radio Leon is finally here! This episode is focused on acoustic tracks and features an intro, a track from Shake This Maze Live From the Studio, a Jazz Classic, and a Surprise at the end. I recorded half the tracks in Robledo de Fenar and half the tracks in the capital city of León,my new home for August. Thank you for the support for the last episode and I hope you feel this installment!

-Reflection and Response

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Wake Up

I wrote Wake Up way back in the 55thandBrooklyn Seattle days. The lyrics deal with a crush I had at the time. I tried to focus on sleep patterns as a metaphor for thinking through my romantic situation. What do you use to wake up?

At the I sample The Beatles’ “Baby It’s You,” The sample appears at 0:53 in the Beatles track.

Wake up/ But it’s so hard to do/ The floor’s cold think I’ll stay up inside this dew/ This pillow provides more support than you/ And I’ll stay in bed till 6 in the afternoon/Wake up/ But it’s so hard to do/ The floor’s cold think I’ll stay up inside this dew/ This pillow provides more support than you/ And I’ll stay in bed till 5 in the afternoon/

These mind games she plays are amazing/ Every time I find gains turn out to be lies lately/ Been too many years/ Not to see it clear/ Though she might flirt and veer/ The thing is not changing/ Used to be long and lanky/ Now I got cheeks/ no exercise exacerbates angst greatly/ Painstakingly wait patiently by the phone/ Waste hours just watch Hoarders and drone/ But I swear to god I’m over it/ I entered this war alone/ And on my own/ I’m done with the soldering/ I don’t deserve it and neither do you/ As you fuck whoever cuz I’m tired and through

Wake up/ But it’s so hard to do/ The floor’s cold think I’ll live up inside this dew/ This pillow provides more support than you/ And I’ll stay in bed till 5 in the afternoon/ Just wake up/ But it’s so hard to do/ The floor’s cold think I’ll live up inside this dew/ This pillow provides more support than you/ And I’ll stay in bed till 5 in the afternoon/ I wake up

My invitations seems to be a game/ Imitations pixelated frames on your playstation tres/ She sees me in a friendly way/ And just seems to say things that a friend would say/ But I let the winks and smily faced texts get to me/ Stupidly imagine actions we don’t end up doing/ Telling myself lies as my mental health slides into fantasy attraction chosen so randomly/ No use looking for accuracy/ Cupid shoots and the damage done collaterally/ So if it wasn’t for this pen and this pad and this beat/ I would have been as sad as I was mad at seventeen/ Let’s get it all out and throw it on the table/ Don’t know if I loved her is a twenty year old able?/ But her burn once hurt so painful/ Until I turned the scar into my angel

Wake up/ But it’s so hard to do/ The floor’s cold think I’ll live up inside this dew/ This pillow provides more support than you/ As I’ stay in bed till 5 in the afternoon/Wake up/ But it’s so hard to do/ The floor’s cold think I’ll stay up inside this dew/ This pillow provides more support than you/ As I stay in bed till 5 in the afternoon/I Wake up

Reflection and Response

-P

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PETER MULLER LIVE LRR

Friday January 27th 2012 is the date of my first show here in Madrid. I will be performing originals tracks featured on the LIFESTYLE, such as Jade Eyes, in addition to covers with some talented vocalists. We are also supplying the PA for the show as well as the microphones and cables. We’re turning a room of the Anglet Cafe in Madrid into our own performance space in Reflection and Response fashion. Anglet Cafe gigs hopefully will be a regular occurrence and feature performances from other local artists and new LRR #Collective members.

 

Peep the Facebook event page for more info:

http://www.facebook.com/events/283765688343885/

 

The above flier was finished by V late Monday night. Using only 2 permanent markers, he was able to include a whole array of brushstrokes, from the razor thin border to the block letters of my name, to the central piece of the name of the cafe complete with shadowing and subtle textures. When I ask V to help out with publicity for shows It’s always dope to see what he comes up with.  He included both Spanish and English and threw up the LIFESTYLE along with the info for the gig.

LRR LIVE @the Anglet Cafe in Madrid.

-Reflection and Response

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Two Cities

Interpretations differ.

I wrote a song called “The City,” sometime in 2007. I then recorded it with my band at the time, Tuition Well Spent (see below for more info). I rerecorded a version in 2009 with my duo in Argentina, Harold and the Gauchos.

Even though the instrumentation is almost identical on each track, the two versions have different vocalists and display different takes on the song. I think it’s dope to see how each version contrasts.

The Tuition version is more polished. Recorded over two days using Pro Tools in the Digital Audio Workstation at Odegaard Library at the University of Washington, Mike and I took our time with takes and mixing.

The Harold version was done on the fly. Only having practiced the song a few times before pressing record, Claudia and I hadn’t necessarily perfected our arrangement. The “dale,” that I blurt out at the start of the track lends itself to the jam session vibe. However the looser more improvised feel lends itself to a different understanding of the song.

Does anyone else have experience with how changing one part of a piece can lead to new feeling, new reflection?

The City: Tuition Well Spent

The City: Harold and the Gauchos

The City

I was swimming in the River when the river but the river said he don’t mind

Said go on now got my own place to find

So I went on down to the shining deep blue sea

But none of them fishes want to swim with me

And I feel lonely, I feel blue

Get up slowly I got nothin much to do

Ladies ain’t never had too much luck with them

I see an opportunity and all they see is a friend

And 18 odd years that’s how it’s been

I finally met Shirly but shea’s already with Ken

And I feel lonely, I feel blue

Get up slowly I got nothing left to do

Bored in the city in the city it looks so drab

Wanna find a way to get away this strange land

It seems like the sky scrapers they all laugh

In a one man room playing the blues getting pennies in a straw hat

Oh I feel lonely, I feel blue

Get up slowly I got nothing left to do

Bored in the city in the city it looks so drab

Wanna find a way to get away this strange land

It seems like the sky scrapers they all laugh

In a one man room playing the blues getting pennies in a straw hat||

Reflection and Response. In whatever City.

-P

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This Job

Who’s worked in a restaurant before? Quick cash but a pretty fucked up working environment. This Job is loosely based on experiences working at a certain seafood joint in Seattle during the summer of 2011. I was thankful for the work, but I couldn’t help but write down what it was like to work there.

Full Track

Acapella

Job this job this job it robs us/ Go all damn day for 40 in the pocket/ Hours wasted feel played like basketball/ Lame like a masseuse who lost the touch we gracefully fall/ Late for it all this life it drives past us/ Fight to drive faster this check’s a knife through our life it slashes/ As time flashes past/ 10 years later the past is ashes cuz so fast it happens

This mall this mall maybe she’ll be mine if I buy it all/ Flat we fall/ God damn it I crawl/ Back into this Cave like Mumford and Sons/ And hungry back to work to earn enough we’redrunk on the funds/ Hungover as bums’ peddling change has never been fun/ I peddle my way through these tables I’m done/ But these tips come now this wallets expanding/ And the mind’s eyes can only see as far as I’m standing

This job is wild please take it back from me/ I break my back this actually can’t be happening/ What happened to these dreams and this college degree?/ No wonder these alcoholics staff the industry

Night this night this night this night it wears on/ Know I should sleep but the time to care is gone/ Just pound that redbull find stamina in caffine/ And we hit the damn wall tomorrow right around 3/ And these feet feel wasted withering away/ Use the same shows I graduated in 8th grade/ They pinch toes together haven’t played a show in forever/ But we stand strong to the storm, brave the weather

Take so much shit out humility snaps/ Here mind its blank and creativity sapped/ Stuck in the trap, used to write everyday raps/ Now it’s occasion andI’m fading into the trap/ So break away move back home that’s an option/ That became a choice cuz this place is haunted/ By  quarter life crisis career problems/ Let’s follow that voice that tells us we don’t need this stop it

This job is wild take it back from me/ I break my back this actually can’t be happening/ What happened to these dreams and this college degree/ No wonder these alcoholics staff the industry

Reflection and Response

-P

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Argentina Thursdays: Dreams

While in Argentina I continued to write acoustic guitar-based tracks. This one uses a drum set I created from samples from various Led Zeppelin songs that I later used with my melody. The horns come from a sample of Argentine music that somehow came out as the blues.

Reflection and Response

-P

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Feature: The Know Nothings

It’s Feature time again here at the LIFESTYLE!!!! We are proud to present The Know Nothings, an acoustic duo made up of the homies Andrea Woodard and David Adams from our hometown of Berkeley, CA. The group is making moves in the Bay and continues to write and record great original music. We are extremely excited to showcase their new tune Sweet Pea.

(Original art by Max Nelson)

Check out the track and get to know more about the Know Nothings with an exclusive interview.

Sweet Pea

Leading off with some basics, where are you from? And where are you at?

DA: Berkeley, then Santa Cruz, then Oakland, now Berkeley, soon Oakland.

AW: Local girl born in SF and raised in Berkeley. Now living in San Francisco.

What does Reflection and Response mean to you?

DA: Think then talk… preferably more thinking than talking.

AW: It means to take that extra moment, extra time, to stop and to think about what something means to  you. Then to take those emotions and understandings you have reached and actively react to them.

How does ‘Sweet Pea’ fit in with that definition?

DA: I don’t know how to answer this question. Am I addressing this song as a response to life and experience, or am I addressing the potential to reflect and respond to this song? In the first case, I think all songs and all art, are ways of pinning down and making concrete, our otherwise mercurial reflections on the state of our lives and the world as a whole.

AW: I am not quite sure if you mean one of our pieces or a piece of art for example. But in keeping with the theme of our interview as a band I will go ahead and pick the egotistical response :) . The best I can do is equate it to our song writing process. While I credit David with almost all of our awesome lyrics, there are of course some collaborative efforts. It is tempting to make something just rhyme or to put in fillers,  but we take a step back, think about what we are trying to express or say through the song, or even that one line, and then react to that and put it in words. Corny? Little bit I guess.

What else have you been working on recently? What are you looking to work on next?

DA: We are just working on recording songs one by one, and mastering the recording process, which is for sure an uphill battle.

AW: Bandwise, working on writing more songs and looking to perform more. Lifewise, working on living the city life with great friends, and looking to work for my nursing degree.

Who or what inspires you?

DA: I get inspired by slow motion football highlights played with classical music in the background.

AW: I would have to say my bandmate David. He has an unwavering dedication to pursuing something that is important to him, no matter what (for example performing and playing music). I would also have  to say that generally speaking the friends and family in my life inspire me, and not necessarily direct though what they do, but by exhibiting incredible support in everything. It keeps me pursuing the best for  me, whether that is finding an awesome music playing hobby, or furthering my career and life ambitions.

Is there anything else you would like the Collective to know?

DA: Come to our next gig at the Firehouse Art Collective Gallery North on Oct 14th at 7 P.M.

AW: That graduating college seemed like the most daunting, unappealing prospect, and it’s been so fun to  discover that this part of our lives is just as fun in different (and sometimes similar ways). I’m having a blast with everything and reconnecting to old friends!

Shout out to…?

DA: Peter and Vicken for following their dreams and putting this together. I remember when Vicken and  I forced some middle school kids into a rap battle, then hid in his dad’s car when the kids ran to their parents. And I remember Peter throwing his skateboard on the ground vowing never to skate again, over  and over and over again.

AW: All of our awesome friends and family for supporting us instead of laughing at us (it was a crapshoot).

Check the group out on Facebook and Soundcloud.

Reflection and Response

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Making Spaces

I wrote this song sometime during this past summer when I worked at a seafood restaurant in Seattle. I recorded the track on October 2nd and 3rd 2011.

Acapella

Here I am on this bus at 8 o’clock/ The only one who still smells of whisky on the rocks/ As jocks and business students from the stop  all climb on she’s the only thing I find my mind on she shines strong

The City’s a lonely thing feel its only you living/ Struggle alone really and never feel like winning/ Because there’s more and more and even more to do/ Liberation shackled instantly consumed

But I stay cuz she’s there and only cuz she is/ Probably easy to spot painfully obvious/ That I’m head over heels for her/ This other fling knows I’m not being all the way forward

And her back is nice/ And her face is standard/ But she talks fast might actually give an answer/ And that dress/ That red cloth presses against her/ We feign indifference and say we’ve seen way better

All watch sporadically/ Try not to get caught/ She knows it and continues to pop and lock it/ A pretty damn good imposter/ Goddamn it now I’m rock hard/ This suddenly got awkward

We take breaks in the spaces in between/ After dinner shifts when all the customers leave/ Your friendly waiters wasted on IPAs and mixed drinks/ Next shift same table/ Such a vicious routine (x2)

Smells of weed and stale beer/ And beautiful women more naughty than goddesses but often pursue vixens/try to stay winning/ And hope this beat floats on/ And we gloat of these shows that know don’t go on

Young college students growing alcoholics/ Work hard play hard/Certainly work on it/ Wake up dry mouth with that head throbbing/ Beds messy from some of that prior rocking

With this job at 9 o’clock I can finally buy coffee/ Daily grind no way 5-0’a are gonna stop me/ Speaking of that I need to get back to the store/ And I’m fresh out of onions don’t wanna mooch any more

Cab Calloway sang once of the mooch named Minnie/ Now we mooch cab rides all throughout the city / And we pay each other back with hand slaps and drinks/ Wonder what the fuck my grandma would think

If she knew that we take breaks in the spaces in between/ After dinner shifts when all the customers leave/ Your friendly waiters wasted on IPAs and mixed drinks/ Next shift same table/ Such a vicious routine (x4)

Reflection and Response

-P

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Shake This Maze

I wrote Shake This Maze in spring 2011 after getting a job at Duke’s Chowder House in Seattle.  I wrote the chorus some 6 months earlier and never found a home for it until Maze.


Shake this maze to the core with chords and verses

Mix genres like cops johns whores and virgins

Turn the source of hurting into a sense of pride

Find the gold on the shipwrecks of life

Maybe she works Sunday we’ll play afterwards/ I need to stop writing this play and this wack verse/ Can’t stand when she’s there can’t stand when she’s away/ Go home like I don’t care?/That lie’s pathetically fake/So please break break break the spell she’s got me under/ Under the weather as I am under the covers/ Already tried to wake up/ But I pressed snooze/ prefer this pillow/ This wait sucks I’ll sleep through/

Two weeks ago everything normal/ soon to graduate sky high orbital/ now crash landed/ Everybody see it/ Ramble meaningless nothings/ without reason/ Who knew such blues/ Would creep in this season/ The sun’s out/ Sweat crowds the breathing/ She walks chest out/ I think or am I dreaming/ Naps for twenty minutes every other evening

Shake this maze to the core with chords and verses

Mix genres like cops johns whores and virgins

Turn the source of hurting into a sense of pride

Find the gold on the shipwrecks of life

We make our way through twisting journeys

Roadmap gets written as life’s occurring

We fight for courage she’s a test of the burden

Success the only option no way this back’s turning

So now three weeks later we each have a break/ And it’s nice outside so we walk beside the lake/ For forty five minutes we conversate/ Suddenly all the angst evaporates/I guess I agree with her better off friends/ Besides Spain seems to boast decent women/ So finally I can act normal again/ only awkward if we make it so, I horribly did

But now we grab lunch /Jokes “such a lovely date”/ Behind glasses eyes fluctuates/ Talk of family for seems great lengths/ About drugs and pain and fortune and thanks/And we return to the work/ From whence we came/ She tends bar as I clear plates/ Great feeling having a clean slate/ Now we start again but in a different place

Shake this maze to the core with chords and verses

Mix genres like cops johns whores and virgins

Turn the source of hurting into a sense of pride

Find the gold on the shipwrecks of life

Make our way through twisting journeys

Roadmap gets written as life’s occurring

We fight for courage she’s a test of the burden

Success the only option/ no way this back’s turning

(x2)

Shake This Maze Remix

I did the Shake This Maze Remix the same day as posting, on September 15th, 2011.  I liked the sound of the vocals on the chorus on the acapella version, so I cut some stuff from that for the first part of the remix. For the second part, I felt inspired by Dj Premier’s ability to craft whole choruses from samples of other tracks. So I took some lines from the track itself and came up with the following line.

Who knew such blues/ Drugs and pain

In a different place/ find that/ fortune and thanks.

How do people feel about sampling? Does anyone have a favorite track that samples something yet makes it completely new?

Add your thoughts to the reactions box.

Reflection and Response

-P

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